Guidance Academy

of Music

Believe and purpose

Passion to music

Most of the great performers of the classical music world were already performing at a high level when they were young.We have all seen children who shows great musical talent at a young age. These people have one thing in common; they have a suitable environment in which to learn music.There are two kinds of ideal environments: there is a relative in the family who is a musician, or the family supports the child to learn music and has access a good music teacher. No matter if their family is musical or not, the student gets important support and guidance from a good teacher. There are no shortcuts to learn music but there
are ways to slow your learning through receiving wrong information. The Guidance Academy of Music has sourced many good musicians and master pedagogues who can share their knowledge to students and provide high quality teaching standards, allowing the young music
al child the chance to stand on the shoulder of the giants, so to speak.

How we do it

We happened to be able to gather great teachers and professional musicians, who are willing to share their experiences and knowledges through internet by using their free time. At the same time, we are creating a system which is easy to use with most affordable price to have a musical family like music studying atmosphere.

Many good musicians has said that “the stage is the place where you really learn”. All the students who study with the Guidance Academy of Music will work with their teacher to prepare a programme for concerts at school and for the student’s families. By watching a recording the concert, the instrumental teacher can give advice to the students how to improve for the next performance.

Many parents do not consider music theory and solfeggio as important academic subjects for music students, however it is essential for good musicians to have this important knowledge which is in fact easy to learn. These skills involve improvising accompaniment and playing music by ear. They encourage children to enjoy music together with their friends.

My story

I wish to share this education in a more accessible way so that everyone may benefit, not only those who were lucky enough to have it as a child because of birth place

I was born in to a musical family. My father plays violin and my brother has perfect pitch. I wasn’t born with perfect pitch but with this environment in which I learned to have perfect pitch when I was five years old. Now I am a professional horn player in the Estonian National Symphony Orchestra. One of my Japanese colleagues has perfect pitch. After she explained to me how she was educated as a child in Japan to have perfect pitch through the system of Ichoinkai school, I realised the education I had when I was young was very similar to it. I wish to share this education in a more accessible way so that everyone may benefit, not only those who were lucky enough to have it as a child.

The first student I helped though Guidance Academy of Music system, is my wife Xiaonan Nie. Although I didn’t know what system I was using at that time, but I know what I did. She came from China, just like many Chinese students, she can only play one piece when she came to Estonian Music Academy and Theatre to study, she had no idea about scales and many basic things. I shared to her the experiences for learning languages, ideas of understanding solfeggio, music theory and harmonies, ways to think when practicing, which took me a long time to find out as a Chinese music student coming to Europe to study. I introduced some great teachers to her through my colleague’s recommendation. Now she is seeking for answers and different ideas about music and improve her playing from different great masters and teachers herself all the time, and she is a permanent member of Estonian National Symphony Orchestra as a Contra Bass player now, I am so proud of her. And I believe every Chinese students comes to Europe to study, can achieve this dream, just like she did.

As a system of all human which is seeking for beauty and truth, when someone has a dream of being something he/she wants, he should at least be offered a proper chance to become one like everybody else. Guidance Academy of Music is going to make the path of music journey full of reachable wisdom and shared experiences.

Our Goals

To enjoy music is not unlike enjoying a beautiful view, it is an ability we all possess. Music is a language which everyone can learn. For children who started to lean music at a young age, music is their native language.

We believe that for any music student, amateur or professional, it is valuable to see how the great musical masters are thinking, how they practice and where their inspiration comes from. These insights can leave a lasting impression, helping to guide a student’s musical development for years to come. Our goal is to make musical education more accessible and help to transmit the ideas and teachings of great professors to students of all musical levels and backgrounds. Eventually, the student will train to be their own teacher; a skill which will serve them for their whole life.

We understand that everyone comes from a different family with different values and ideas on child education. Our goal is to provide the same education and opportunities to a child who was not born in a musical family and environment to the child who was. In turn, everybody will be able learn and enjoy music more, allowing students to nurture their talent to its full potential.

Lessons

Major Instrument Lessons – From the music student level which we accept, by the choices of teachers, to be able to play a good quality program of entrance exam for any Music Academies of student’s choice.

To complete one level involves 100 hours of classroom study (usually 1 x 40 hour course before Christmas + 1 x 60 hour courses in January-May).

Solfeggio – From 0 to achieve Solfeggio level C

To complete one level involves 100 hours of classroom study (usually 1 x 40 hour course before Christmas + 1 x 60 hour courses in January-May).

Musical Theory and Harmony – From 0 to achieve both musical theory C and music harmony C.

To complete one level involves 100 hours of classroom study (usually 1 x 40 hour course before Christmas + 1 x 60 hour courses in January-May).

English lessons – From 0 to achieve English C2. (English courses and level tests are linked to the Common European Framework of levels (A1-C2)

To complete each course level involves 140 hours of classroom study (usually 1 x 60 hour course before Christmas + 1 x 80 hour courses in January-May).

Indrek Vau

Vau started his musical studies at Tallinn Children’s Music School (1980–1986), continuing at Tallinn Music Highschool (1986–1990). In 1996, he went to study with Prof. Jouko Harjanne at Sibelius Academy, where he graduated with master’s degree in solo trumpet in 2001. He has taken part in the master courses of Stephen Burns and Eric Aubier.Indrek Vau has achieved award positions at several contests: the third prize at the
Estonian Brass Player Competition (Tallinn, 1990), finalist at the Estonian contest-festival
for young musicians (Tallinn, 1990) and the split of the second and third prize at the
trumpeters’ competition in Cologne (1994). He has also participated in the international
contests Art Munich ’97 and Lieksa Brass Week (1998).
In 1990–1996, Indrek Vau was a member of the Estonian National Symphony Orchestra
(since 1993 as the principal of the trumpet group), in 1996–1997 the solo trumpeter of the
Sibelius Academy’s Symphony Orchestra, in 1997–2000 the solo trumpeter of the Tapiola
Sinfonietta, in 1998 a member of the Finnish Radio Symphony Orchestra and in
2000-2001 the principal of the trumpet group of the Turku Philharmonic Orchestra.
Since 2000, Vau is the principal of the trumpet group of the Estonian National Symphony
Orchestra and since 2001 also a teacher at the Estonian Academy of Music.
Indrek Vau is an acknowledged soloist and a partner in chamber music. He has performed
as a soloist with the Estonian National Symphony Orchestra, the Tallinn Chamber
Orchestra, the Latvian National Symphony Orchestra, the Pärnu City Orchestra, the
Hortus Music Academic Orchestra and the NYYD Ensemble. He has collaborated with
pianists Peep Lassmann, Mati Mikalai, Ralf Taal, Marko Martin, conductors Neeme Järvi,
Eri Klas, Olari Elts, Nikolay Alexeev, Paavo Berglund, Arvo Volmer et al.
Estonian trumpet music holds an important place in Indrek Vau’s repertoire, in particular
the works of Hillar Kareva and Harri Otsa. From the Western composers Vau gives gratest
preference to Hindemith, Jolivet and Ibert.
In 2004, Indrek Vau’s first solo CD “Estonian Trumpet Music” was released with the works
by Hillar Kareva, Harri Otsa, Heino Jürisalu and Anatoli Garshnek (piano accompaniment
by Mati Mikalai).

Kalervo Kulmala

Kalervo Kulmala is principal horn player in Estonian Symphony Orchestra, also teaching in
Estonian Music Academy and Theatre.
Kalervo Kulmala has been teaching in Sibelius Academy for 40 years, Principal Horn
player in Finnish Radio Symphony Orchestra for more than 30 years. He has many
students working in professional orchestra orchestras. Teacher of brass section in Gustav
Mahler Youth Orchestra.

Arvo Leibur

Arvo Leibur studied violin at music schools in Tartu and Tallinn in Estonia. From 1982

until 1989 he studied at Moscow State Conservatory with prof. I. Botchkova. After finishing studies

he was a violin teacher at conservatories in Kuopio(Finland) and Tallinn(Estonia). He also

performes internationally as a soloist and chamber musician. In 1992 A. Leibur was invited to

Nieuw Sinfonietta Amsterdam. From 1995 he started to work as 1-st concertmaster at North

Holland Philharmony Orchestra(now called Holland Symfonia).He has been often invited

internationally as guest concertmaster. From 2000 he became also 1-st concertmaster at Estonian

National Symphony Orchestra. From 2013 A.Leibur became Head of the String Department at the

Estonian Academy of Music and Theatre. He has recorded several CD-s as Complete violin music

by Estonian composer E.Tubin, “European virtuoso`s” (Wieniawski,BullCorelli...), Paganini pieces

and sonatas etc.and CD´s with Estonian VGV trio(violin ,guitar,vibraphone).He has received

honours from Estonian Ministry of culture

Istaván Baráth

István Baráth (born in 1987) started to play the

trumpet at the age 6. In 2001 he joined the Music High

School in Pécs in Hungary. During the 4 years in Pécs he

won two times the Hungarian National Trumpet Competition

and got honored price at the Concertino Praga Music

Competition. After he studied with prof. Uwe Köller (German

Brass, former principal trumpet player at the Deutsche Oper

Berlin) in Graz in Austria, where he collected also lot of

experiences of orchestra playing and brass chamber music.

He was solo cornet player at the Austrian Brass Band. His

chamber music teacher was Gottfried Boisitz, former principal

oboe player of Vienna Philharmonic Orchestra. He finished

the diploma of bachelor with award (german: auszeichnung).

He continued his master studies in Germany, in Nürnberg by prof. Christoph Braun (principal

trumpet player at the Nürnberg Philharmonic Orchestra). In 2012 he got the job in the

Estonian National Opera Orchestra and one month later in the Estonian National Symphony

Orchestra.

István participated in master classes with Friedrich Reinhold, Gábor Tarkövi, Gábor

Boldóczki, Lukas Beno. Played in several Orchestras like Recreation - Grosses Orchester

Graz, Nürnberg Philharmonic Orchestra, Nürnberg Symphony Orchestra, Regensburg

Philharmonic Orchestra, Estonian Festival Orchestra, and he played several solo concerts

with orchestras in Austria, Switzerland, Hungary, Ukraine and Czech Republic.

István is member of the Estonian Academic Brass Quintet.

Matilda Kaul

Canadian violinist Matilda Kaul is a graduate of the Juilliard School and the
Cleveland Institute of Music. Upon completion of her studies, she joined the
Chamber Orchestra of Europe, with whom she has appeared in the great halls and
festivals of the world (Carnegie Hall, the Concertgebouw, Vienna Musikverein and
Konzerthaus, Berlin Philharmonie, Cité de la Musique and Salle Pleyel, Lucerne
KKL, Proms, Edinburgh Festival) with some of the most respected conductors of
our time (Haitink, Harnoncourt, Nézet-Séguin, Jurowski). Ms. Kaul has been a
frequent guest concertmaster and principal in orchestras around Europe (Zürich
Tonhalle, BBC Symphony, Scottish Chamber Orchestra, Kammer Akademie
Potsdam), and maintains a strong interest in historical performance practice, having
been heard in recording and on stage with John Eliot Gardiner’s Orchestre
Romantique et Revolutionnaire and English Baroque Soloists, Philippe
Herreweghe’s Orchestre des Champs Elysées, and Emmanuel Krivine’s Chambre
Philharmonique. Ms. Kaul has performed as chamber musician on both sides of the
Atlantic, at festivals such as Ravinia, Norfolk, Charlottesville, Prussia Cove (U.K.),
La Loingtaine (France), Oulosalo (Finland), East Neuk (Scotland), and Alfred
Brendel’s Music at Plush (U.K.).

Atte Kilpeläinen

Atte Kilpeläinen's music studies culminated in degrees from Cologne University of Music and
Sibelius Academy.
Since 2005 he has held the position of principal viola in the Helsinki Philharmonic Orchestra. As a
guest leader he has worked in orchestras like Chamber Orchestra of Europe, Swedish Radio
Symphony Orchestra, Royal Philharmonic Orchestra Stockholm and Gewandhausorchester
Leipzig.
As a soloist he has performed with Helsinki Philharmonic Orchestra, Tapiola Sinfonietta, Cologne
Chamber Orchestra and City Orchestras of Kuopio and Oulu.
He has been a member of Meta4 string quartet since 2006. In 2007 Meta4 won 1st prize in
International Joseph Haydn Competition in Vienna. Their three recordings for Hänssler Classics
(Haydn op. 55, Shostakovich 3,4,7 and Bartok 1,5) have earned critical acclaim. Meta4 has also
recorded music by Kaija Saariaho for Ondine and music by Jean Sibelius for Berliner
Meisterschallplatten. Since 2008 Meta4 has been the quartet in residence of Kuhmo Chamber
Music Festival.
Since 2012 Atte Kilpeläinen has been a part of faculty in Sibelius Academy. He has also given
master classes in Kuhmo Chamber Music Festival.

Tomas Djupsjöbacka

Tomas Djupsjöbacka is a familiar sight except the Finnish foreign arenas. He has played with Meta4 String Quartet since its foundation, in addition to which Tomas is the only permanent member of the Finnish Chamber Orchestra (COE).

Tomas was originally the West Helsinki Music Institute grown. Martin continued his studies at Rous and Marko Ylönen, under the direction of the Sibelius Academy, where Tomas was completed in spring 2003. The years 2001 and 2003, Tomas spent in Switzerland Patrick Demenge student at the Lausanne Conservatory, soloist with the jury's honorable mention.

Yet studies in the early days of Tomas won second prize in the 1998 Turku cello competition, after which he has performed as soloist with various orchestras both in Finland and abroad. In addition to the active kamarimuusikkouden Tomas has also taught cello at the Sibelius Academy since 2010.

Tomas Djupsjöbacka player is a rare built by Lorenzo STORIONE in Cremona in 1780 cello.

Ye Pan

Ye Pan has born in the year of 1987, in Tai Yuan, Shan Xi. At the age of 10, he started horn
studying with the teacher Bin Li in his hometown, At the year of 12, he went to The Attached
School of Central Conservatory of China, during that time, Pan Ye has been studying with
Chengxin Zhang for one year, and five years with Quan Wen. Ye Pan has been participating with
Chinese Youngster Orchestra, Chinese Youth orchestra, for many different kind of performances.
At the age of 18, Ye Pan went to Sibelius Academy to study with Kalervo Kulmala. During Ye Pan's
studying time in Sibelius Academy, He has worked with many famous and known orchestras in
Nordic european countries, such as Helsinki Opera, Pori Symphonittaä, Navia Youth Orchestra,
Kirkkonummi Champer Orchestra, Gothenburg Academic Orchestra, for many different kind of
concerts, and tours in Sweden, America, Venezuela, Germany, Abu Dhabi, Estonia, Cyprus.
Ye Pan also won the highest scholership from Tempere Pro Musica foundation, graduated from
Sibelius Academy as a Horn Performing Master Degree student with a 25/25 score from 5 juries.
Since the year of 2014, Ye Pan has been working in Estonian National Symphony Orchestra as
Principal horn player. Worked with many great conductors such as Jorma Panula, Neeme Jarvi,
Paavo Jarvi, Jukka Pekka Saraste, Esa-Pekka Salonen and many other great conductors, and got
nice commends from them.

Andres Kontus

2001-2006 Royal Academy of Music, Aarhus, Denmark (Det Jyske Musikkonservatorium,
Aarhus) - prof. Niels-Ole Bo Johansen and Rolf Sandmark
1999-2001 Estonian Academy of Music - Heiki Kalaus
1988-1999 Tallinn English College
1985-1999 Nõmme Music School (piano, trombone, eufonium)
Work experience:
2005 Estonian National Symphony Orchestra, principal trombone
2007 lecturer at Estonian Academy of Music
2008 teacher at Tallinn Music High School
08.2010-
12.2010 Finnish Radio Symphony Orchestra, principal trombone
2001 assistant in Aarhus SO, Malmö SO, Aalborg SO, Aarhus Sinfonietta, Randers Chamber
Orchestra,
Tallinn Chamber Orchestra, Estonian Dream Big Band, Järvi Festival Orchestra etc.
Competitions:
2008 Competition for Estonian Wind Players (2008, Tartu) - 1st prize
2006 Competition for Estonian Wind Players (2006, Tallinn) - 1st prize
2006 Jurjanu Andrejs Brass Competition (Riga, Latvia) - the 1st prize
2006 Con Brio (Tallinn) - the ENSO prize
2002 Yamaha scholarship (Tallinn)
1999 Jurjanu Andrejs Youth Brass Competition (Riga, Latvia) - 2nd prize
Solo performances:
with Slesvigske Musikkorps, Estonian National SO, Vanemuine Theatre SO (Tartu), Tallinn
Chamber
Orchestra, several solo recitals in Estonia, ITF 2009 (Aarhus), Estonian Music Days 2007 etc.
A member of Estonian Academic Brass Quintet and a keyboard player in a rock band
“Contus Firmus”

Soo-Young Lee

SOO-YOUNG LEE, clarinet
Estonian National Symphony Orchestra member from 2014, Associated Principal Clarinet 2014-2016
Soo-Young Lee was born in Seoul and began her musical study on violin at an early age. She began playing the clarinet at the age of twelve. Soo-Young Lee holds a Bachelor of music degree with summa cum laude from the Seoul National University studying with Dong-Jin Kim, and a Master of Music degree with distinction from the University of Music und Performing Arts in Graz studying with Prof. Stefan Schilling. Recently, she was awarded a Konzertexamen degree with distinction at Hochschule für Musik in Detmold studying with Prof. Thomas Lindhorst.
During her studies she participated in Mahler Chamber Orchestra Academy and Luzern Festival with Bavarian Radio Symphony Orchestra. And she worked as a substitute in Orquesta sinfónica de Madrid. She has performed as soloist with Member of Bielefelder Philharmoniker and Northwestdeutsche Philharmonie Herford, Rumania National Orchestra, Wiener Koreanische Philharmonie, Korean Philharmonic Orchestra and Seoul Youth Philharmonic Orchestra, and also performed as chamber music and orchestra player at international music festivals in Seoul, New York, Germany, Austria, the Netherlands, Spain, Norway and Estonia.
She won the 1st prize in Woohyun Wind Instrument Competition in Seoul, the special prize in the 3rd International Woodwind and Percussion Competition at Moscow Conservatory and the 1st prize in Alumni-/AStA-Interpretation Competition at Hochschule für Musik Detmold. She has been invited to International Music Competition ARD Munich, the Carl Nielsen International Clarinet Competition, the International Instrumental Competition in Markneukirchen and Prague Spring International Music Competition.
She is a current member of Detmold Chamber orchestra and collaborates with New Theatre Ensemble in Tallinn. She gave her first master class at Estonian Music and Theatre Academy in 2015, and currently, she is clarinet lecturer at Estonian Music and Theater Academy.

Assia Cunego

Assia Cunego - a harpist who is continually treading new ground. Her harp playing has a unique range of tonal quality. Whilst remaining true to the original piece, her musicality and interpretation are also highly individual. She uses her own variation of specially developed playing and dampening techniques which make her performance not only impeccable but also very free and versatile. Assia’s rich repertoire ranges from Baroque to Classical Music, from Romantic to New and Modern Music, right through to Jazz, Free Improvisation and Religious Music.

Since 2016 she joined the Estonian Academy of Music and Theatre as an Professor and is Principal Harpist with the Estonian National Symphony Orchestra.

She was born in Italy in 1983 and completed her harp diploma with honors by the age of 18. At 20 years old, she had already graduated from the Master Class of Prof. Gisèle Herbet in Würzburg, Germany. She has won several first prizes and scholarships at many international musical competitions and, since the age of 19, has been a jury member herself at various harp competitions.

Assia Cunego has performed about 2500 solo concerts to date.

In 2009 she founded the harpACademy which is an academy for pupils and students of the harp, competitions and workshops. Since autumn 2013 she is leading a private harp class with diploma as well as boarding school for gifted young persons - a so far unique project. She regularly gives master classes in Europe.

Xiang Guo

Xiang Guo started his trumpet career when he was 10 years old and

has studied with Zhu Guang in Beijing. With lots of performing

experiences he has done several solo and chamber music recitals.

And in 2012 he won the 3rd prize of the Lieksa International Trumpet

Competition(Finland) as the youngest participant. And the 1st prize

winner of the 26th "Trumpet Talents" Tallinn International Trumpet

Competition, 2015. He's now studying with Pasi Pirinen in the Sibelius

Academy in Helsinki. Meanwhile, he is playing as the co-principal

trumpet of the Finnish National Opera, and also a member of the

Helten Brass Ensemble.

Leili Tammel

2017-... Private vocal teacher in Tallinn (Estonia)

2000-2016 Research of the most effective and sustainable ways to sing

and developement of new vocal techniques as a private vocal

teacher in Karlsruhe (Germany)

1991-1992 Master Classes Kangasniemi Summer Academy of Singing

(Finland)

1986-2000 Estonian Academy of Music

Education

1969-1973 Leningrad Conservatoire (now St Petersburg, Russian Fed)

and private tutor Vladimir Neroda / Classical singning

1968-1969 Tallinn Conservatoire (now Estonian Academy of Music) /

Classical singning

1964-1968 Tallinn Georg Ots Music High School / Classical singning

Cum Laude

Operatic Roles Performed

Azucena „Il Trovatore“ G. Verdi

Princess Eboli „Don Carlos“ G. Verdi

Federica „Luisa Miller“ G. Verdi

Ulrica „Un ballo in maschera“ G. Verdi

Carmen „Carmen“ G. Bizet

Suzuki „Madama Butterfly“ G.Puccini

Herodias „Salome“ R. Strauss

Ruggiero „Alcina“ G.F. Händel

Baba the Turk, a Bearded Lady „The Rake's Progress“ I. Stravinsky

Isabella „L'italiana in Algeri“ G. Rossini

Berta „Il barbiere da Sevilla“ G. Paisiello

Frau Reich „Die lustigen Weiber von O. Nicolai

Windsor“

Olga „Eugene Onegin“ P. Tchaikovsky

Filippyevna „Eugene Onegin“ P. Tchaikovsky

Marfa „Khovanshchina“ M. Mussorgsky

The Innkeeper „Boris Godunov“ M. Mussorgsky

Prince Orlofsky „Die Fledermaus“ J. Strauss II

Santuzza „Cavalleria rusticana“ P. Mascagni

Mother „Eesti Ballaadid“ V. Tormis

Oratorio/Concert Works Performed

„The Songs of Death and Birth“ Song cycle based on texts K. Sink

of Federico García Lorca

h-Moll-Messe J.S. Bach

Johannes-Passion J.S. Bach

The Alto Rhapsody J. Brahms

Requiem G. Verdi

Requiem W.A. Mozart

Requiem M. Duruflé

Requiem A. Dvořák

Biblical Songs A. Dvořák

Missa solemnis L.v. Beethoven

Symphony No. 9 L.v. Beethoven

Stabat Mater G. Rossini

Symphony No.2 G. Mahler

Symphony No.7 G. Mahler

Song cycle „Kindertotenlieder“ G. Mahler

Song cycle „Les nuits d'été“ H. Berlioz

Language skills

Speaking Writing

German excellent excellent

Russian excellent excellent

Italian basic skills basic skills

Finnish basic skills basic skills

Awards and Nominations

1989 People`s Artist of the Republic of Estonia

1987 Georg Ots Vocal Prize

Please note

I have toured Italy, Germany, Portugal, Hungary, Australia, Syria etc. and played

leading roles on the stage of Opéra Comique Paris, Komische Oper Berlin, Halle

Opera and Karlsruhe State Opera in Germany, Danish Royal Opera in

Copenhagen, Swedish Royal Opera in Stockholm, Finnish National Opera in

Helsinki, Latvian National Opera in Riga, Maria Theatre St Petersburg and The

Bolshoi Theatre Moscow in Russia.

Since 1990-s I have been member of jury on various national and international

singing contests

Madis Vilgats

Madis Vilgats was born 1983 in Tallinn, Estonia. He started to play tuba at the age of 15. 2002-

2004 he was studying tuba at the Estonian Academy of Music, 2004- 2006 at the Malmö Academy

of Music in Sweden and from 2006- 2011 at the Hanover University of Music and Drama under

Prof. Jens Bjørn- Larsen. During his studies Madis Vilgats played with different orchestras and

chamber music groups such as Brandenburg State Orchestra Frankfurt, Philharmonia of Nations,

Bremen Chamber Symphony, Estonian National Symphony Orchestra, NYYD- Ensemble and

others. He has performed as a soloist with the Estonian National Symphony Orchestra and Estonian

Police and Border Guard Wind Band. He is teaching tuba at the Estonian Academy of Music and

Theatre since 2011. From 2011- 2016 he was principal tubist at the Estonian National Opera

Symphony Orchestra, since December 2016 he holds the position of principal tuba player of the

Estonian National Symphony Orchestra.

Juho Martikainen

Juho Martikainen started Double Bass studies in 1983. First teacher was his cousin Ossi Martikainen. The Lapinlahti Music Association and its inspiring leader Raimo Korpela were influential in selecting the instrument.

Double Bass studies continued in Kuopio Conservatory with teachers Jarmo Hiekkala, Arto Viljakainen and Kari Räsänen, with whom studies lasted longest and who was also influential in encouraging Juho to apply for Sibelius Academy. The studies continued there with Jussi Javas Double Bass class.

Martikainen made his Double Bass Diploma in 2002 with honors. After Diploma Martikainen has continued his studies with World’s most renowned Double Bass players both privately and in master classes.

Martikainen started his pedagogic activity in 1994 and has been teaching in Kuopio and Helsinki Conservatories, Oulunkylä Pop-Jazz Conservatory, Hyvinkää Music College, Kuopio and Helsinki Universities of Applied Sciences and Sibelius Academy. Many of his students are currently working in several Finnish Symphony Orchestras and in pedagogic professions.

Since 1994 Martikainen has been a freelance Double Bass Artist and played in Helsinki Philharmonic Orchestra, Turku Philharmonic Orchestra, Lahti and Pori Symphonic Orchestras, Finnish National Opera, Tapiola Sinfonietta and Finnish Radio Symphony Orchestra. He has participated in numerous tours to Japan, USA, England, Brazil, Argentina, Germany, France, Austria, Russia and Nordic countries. He has acted as principal or co-principal in Radio Symphony Orchestra, Helsinki Symphony Orchestra and Tapiola Sinfonietta. As chamber musician Martikainen has played in many different groups and in many different festivals both in Finland and abroad.

As musician Martikainen has always regarded important to bring the expressive sound of Double Bass to new audiences. This passion has taken him from Concert Hall audiences to dance floors and Tavastia Club stages. Founded in 2008, trio At The Hollow is certainly the top manifestation of this activity. The first album What I Hold Most Dear was published in 2015 by Spinefarm Records and the reception has been extremely positive. ”Versatility of Martikainen's contrabass is an inspired stroke of genius and proves to be The band’s secret (and greatest) weapon.” (Mike Smith/Outburn magazine). The activities of the trio are available at www.atthehollow.com. Music composed and performed by Martikainen is available at https://soundcloud.com/martikainen

Starting from 2001 Martikainen has acted as a Member of the Board at Genelec Oy, known for their active monitoring speakers. Martikainen works currently as the Brand Artist for Genelec Oy.

Xiao Ming Han

现任徳国广播爰乐终身圆号首席（1985年至今）

2011年欧洲十大杰出华人艺术家

曾任
徳国塞尔洲（1993／2011）瑞士巴塞尔音乐学院圆号教授（1994／2001）
北京国家大剧院管弦乐团创办人之一，首任总经理（2009／2011）
世界华人节日乐团创办者。2006／2009）
中国爱乐乐团顾问
中国国家交响乐团顾问
上海交响乐团顾问
上海音乐学院特聘圆号教授
中央音乐学院长期特聘圆号教授

Thomas Zühlke

Thomas Zühlke is a body therapist. He lives and works in Leipzig / Germany.

Thomas, who was born in 1982 in Dresden, first studied orchestral music, music pedagogy and

elementary music pedagogy at the music colleges

of Dresden, Leipzig and Helsinki, before he turned to the bodywork professionally.

At the “Rebalancing School Munich” he learned the concept of "rebalancing" with his teacher Bernd

Scharwies, which now forms the basis of his working practice.

In addition to his individual work with his clients Thomas has also been involved since 2014 as coach

at the Center for high school sports at the University of Leipzig.

Quan Wen

中央音乐学院圆号副教授
研究生导师
拔尖创新计划导师
中国管弦乐专业委员会专家组组长

Cong Gu

1987年9月4日上海出生. 师从韩铣光，韩小明以及Eric

Panzel，Ludwig Rast, Will Sanders 教授。曾就读上海

音乐学院附中,萨尔布吕肯音乐学院硕士毕业.目前德国卡尔

斯鲁厄音乐学院独奏家文凭毕业.曾任德国广播爱乐首席,

现任德国国家爱乐圆号首席.德国唯一一位免考核受邀签约A

团终身职位的管乐声部华人首席.顾聪以客座圆号首席身份

担任过卢森堡爱乐,巴登符腾堡爱乐,卡尔斯鲁厄歌剧院等.并

以圆号独奏家身份受邀巴登巴登爱乐乐团,德国广播爱乐乐

团,德国国家爱乐乐团的演出.顾聪在国内外获过多个奖项.其

中包括:中国抚顺全国圆号比赛19岁以上专业组第一名(参加

时18岁).不莱梅国际圆号比赛第二名.意大利第一届

Sannicandro di Bari 第三名。韩国济州岛国际管乐圆号

比赛第一名。意大利第二十届Citta di Porcia 圆号国际

第三名.同时在此次比赛中演奏的巫女的舞蹈得到担任此次

比赛受邀作曲家Hiroshi Hoshina的强烈好评，刊登在东京

日报。顾聪在德国乐队以及跟乐队独奏也曾多次在德国杂

志以及报纸中得到很高的赞赏与评价。2017年受邀中国音

乐学院,四川音乐学院,中央音乐学院北京国际圆号艺术节举办大师班.

Yu-Hui, Chuang

Konzerthaus Orchester Berlin – Hornist

Yu-Hui Chuang, native of Taipei, began his professional career in Konzerthaus Orchester Berlin

under Chef Conductor “Ivan Fischer” in 2013; and became an instructor in C.P.E. Bach

Gynasium in 2014 and Hochschule für Musik “Hanns-Eisler” for the Horn Class of Prof. Marie-
Luise Neunecker in 2015.

As a Hornist, Mr. Chuang performed with several world renowned orchestras such as

Staatskapelle Berlin, Deutsche Sinfonie Orchester, NDR Sinfonie Orchester Hamburg, Mahler

Chamber Orchestra, Saarbrücken Rundfunk Sinfonie Orchester, Museumsorchester Frankfurt,

Bremer Philharmoniker, Norddeutschen Philharmonie Rostock, Norwegian Opera & Ballet

Orchestra Oslo,Trondheim Sinofniker, National Symphony Orchestra Taiwan, and Taipei

Symphony Orchestra, China National Symphony Orchestra. In 2012, he was invited to

Schlesswig-Holstein Music Festival for the Lang Lang Project to celebrate Lang Lang’s 30th

Birthday.

Mr. Chuang began playing the horn at the age of eight under his father Prof. Szu-Yuan Chuang.

He continued his studies at Taipei National University of Arts and later at Hochschule für Musik

“Hanns-Eisler”, where he received his Diplom Degree in 2013. His main instructors in Berlin

include world famous Horn Soloist Prof. Marie-Luise Neunecker, solo hornist of Konzerthaus

Orchester Berlin Dmitry Babanov, hornist of Berliner Philharmoniker Georg Schreckenberger,

and hornist of Staatskapelle Berlin Markus Bruggaier. During his studies, Mr. Chuang was

awarded 1st

Prize in the National French Horn Competition in Taiwan three times and 1st

Prize in

the 5th

OSAKA International Music Competition in Japan 2005.

1987年出生於一個音樂世家，六歲開始學習鋼琴，九歲

由父親啟蒙學習法國號，從小耳濡目染，浸淫於充滿音

樂氣息的環境中，使他早年即展現出卓越不凡的音樂天

份，經歷古亭國小音樂班(主修鋼琴，師事陳曉雰、鍾家

偉)、師大附中國中部音樂班(主修法國號，師事莊思遠)以及國立三重高中音樂班(

師事蘇毓婷)的音樂洗禮後，無論在音樂或技巧方面的成熟度都有優於常人的表現

，也造就他過人的自信與膽識，2006年大學招生更以榜首身分考取國立臺北藝術大

學音樂系及取得聯招西樂組主修最高分之榮譽，2007年考取柏林音樂院

(Hochschule für Musik “Hanns-Eisler”師事獨奏家Marie-Luise Neunecker)，2013年取得

碩士學位，同年並考取由伊凡‧費雪 (Ivan‧Fischer)所帶領的柏林音樂廳交響樂團

(Konzerthaus Orchester Berlin)一職並於2014年取得終身合約，2014年獲聘任教於柏

林音樂院/藝術大學附屬高中(Musikgymnasium Carl-Philipp- Emanuel Bach Berlin)

，2015年亦獲聘任教於柏林音樂院法國號講師(Hochschule für Musik “Hanns-Eisler”)

莊于輝重要的演出及比賽紀錄：

2000年 – 2005年三度獲得全國音樂比賽A組法國號獨奏第一名

2002年行天宮「菁英獎」第三屆全國銅管樂國中組第一名

2004年日本大阪國際音樂大賽管樂組冠軍，並獲大阪市市長獎之殊榮

2006 年於台中曉明女中演奏廳及國立師範大學大禮堂舉辦獨奏會

2006年八月與國立台灣青少年交響樂團於台北縣政府多功能集會廳及霧峰

國立臺灣交響樂團音樂廳協奏演出聖賞音樂會作品Op.94

2006年與高雄市立交響樂團於高雄市音樂館演奏廳協奏演出

莫札特第三號法國號協奏曲，KV.447

2007年考取德國柏林Universatät der Künste Berlin以及

Hochschule für Musik Hanns-Eisler Berlin兩所音樂院

2007年與台北世紀交響樂團於國家音樂廳

演出理查‧史特勞斯第一號法國號協奏曲

2010年考取法蘭克福‧歐德交響樂團(Brandenburgische Staatsorchester

Frankfurt) 實習團員一職

2010年考取漢堡廣播交響樂團(NDR Sinfonieorchester Hamburg)

常任協演人員

2013年考取挪威奧斯陸國家歌劇院正式團員(Den Norske Opera & Ballett)

2013年考取柏林音樂廳交響樂團正式團員(Konzerthaus Orchester Berlin)

2013年以獨奏四重奏團員身分於柏林音樂廳參與由Oleg Caetani帶領柏林

音廳交響樂團法國號聲部以及男聲合唱團演

Franz Schubert - "Nachtgesang im Walde" D 913

2014年以獨奏自然號四重奏團員身分於柏林愛樂廳參與由Ivan Fischer帶領

柏林音樂廳交響樂團與獨奏家Marie-Luise Neunecker 演出

Ligeti - Hamburgisches Konzert für solo horn und Kammerorchester

mit 4.Naturhörner

2014年獲聘柏林音樂院&藝術大學附屬中學C.P.E.Bach Gymnasium

法國號教師一職

2015年獲聘柏林Hanns-Eisler音樂院Prof.Marie-Luise Neunecker 助教一職

2016年取得柏林Hanns-Eisler 德國新制演奏碩士學位

近年合作樂團：柏林國家歌劇院(Staatskapelle Berlin)，德意志交響樂團(Deutsche

Sinfonie Orchester Berlin)，漢堡廣播交響樂團(NDR-Sinfonieorchester Hamburg)，德國廣

播交響樂團(Saarbrücken Rundfunk Sinfonie Orchester)，馬勒室內交響樂團(Mahler

Chamber Orchestra)，薩爾州廣播交響樂團(Deutsche Radio Philharmonie Saarbrücken-

Kaiserslautern)，法蘭克福歌劇院(Frankfurter Opern- und Museumsorchester)，布萊梅愛樂

(Bremer Philharmoniker) ，羅斯托克北德愛樂交響樂團(Norddeutsche Philharmonie

Rostock)，呂北克歌劇院(Philharmonische Orchester der Hansestadt Lübeck)，法蘭克福‧

歐德交響樂團(Brandenburgische Staatsorchester Frankfurt)，德紹歌劇院(Anhaltisches

Theater Dessau)，挪威奧斯陸國家歌劇院(Den Norske Opera & Ballett)，挪威特隆赫姆

交響樂團(Trondheim Sinfoniker)，台灣國家交響樂團(National Symphony Orchestra)，台

北市立交響樂團(Taipei Symphony Orchestra)，中國國家交響院團(China National Symphony Orchestra)

Guang Zhu

Zhu Guang

PERSONAL INFORMATION:
Name: ZHU,Guang Nationality:Chinese Gender:Male

Date of Birth:March, 1972

EDUCATION BACKGROUND
Central Conservatory of Music Beijing, P.R.C
Bachelor of Arts in Musicology Major:Trumpet

1999-2006 Sibelius Academy of the University of the Arts Helsinki, Finland
Master of Arts in Trumpet Performance and Education

ACADEMIC BACKGROUND:

Hailing from a musical family, I have had my profound exposure in the prominence of my parents, whose father is Mr. ZHU, Yaozhou,one of the first-generation trumpet player equipped with highly proficiency and educator after the founding of the People's Republic of China(P.R.C.), whose mother is Madam SHANG, Chengsong, pianist and professor in Central Conservatory of Music(CCOM),P.R.C. Born in Beijing, China, I enjoyed a musical upbringing and started learning piano at the age of 5 and trumpet at the age of 10. I spent my schooling years in Central Conservatory of Music Middle School at the age of 12 under the direction of Professor ZHU,yaozhou, Ji,Ruikai and BO,Lin with great recognition from them. I won the appreciation from the musical delegation from Hungary to the Central Conservatory of Music Middle School and was positioned to qualify for the International Music Festival of Prague, Czech in 1989. In 1991,I was admitted by the Orchestral Instruments Department, Central Conservatory of Music and performed as a member of China Youth Symphony Orchestra in Switzerland, Italy, Indonesia as well as Hong Kong etc.

Having graduated from CCOM in 1995, I furthered my master degree in Sibelius Academy of the University of the Arts Helsinki following the guidance of Professor Simo Rantanen, the renowned Finnish trumpeter Jouko Harjanne, Principal trumpet of Tapiola Symphony Orchestra, prestigious trumpet educator of Sweden Bo Nilson. I also played the trumpet concerto Haydn with the Symphony Orchestra of Sibelius Academy of the University of the Arts Helsinki and delivered plenty of trumpet performance in Helsinki、Kuopio、Hammelinna.

CAREER

2000-PRESENT
Visiting trumpeter of Tapiola Symphony Orchestra in Finland.

2001-2004
Principal trumpet in kuopio City Orchestra and co-played with musical celebrities.

2004-2006
Visiting trumpeter in Finnish National Opera.

2013-2014
Principal trumpet in Vaasa City Orchestra.

2006-PRESENT
After Master degree conferred by Sibelius Academy of the University of the Arts Helsinki , I acted as the lecturer of trumpet in The Central Conservatory of Music (CCOM) and continuously honed up proficiency as the chief and master trumpeter of China National Symphony Orchestra, The National Ballet of China, Beijing Symphony Orchestra and China National Opera House. In addition, successful performance during these years earned me enormous admiration and credits academically and socially.

I am committed to popularizing trumpet and education domestically and consecutively hold lectures and academic seminars aimed at enhancing the musical understanding among students and the young as well as targeted at the smooth communication among the universities and institutions nationwide and worldwide.

From 2011 onward, for the purpose of ameliorating academic exchanges between Finland and China, I am devoted to guiding students to Finland for participation in the local musical festival together with better improvement in students’ cross-culture knowledge. Besides, on behalf of the university, I have also frequently invited the musical academics in Finland to give seminars, lectures in Beijing.

June,2016
I held my solo trumpet concert with my student Mr. GUO Xiang in Beijing Concert Hall which is the first trumpet performance during more than 30 years since its establishment as a milestone in the musical history of China.

TEACHING ACHIEVEMENTS

Nov 2011
Students was awarded the Third Prize in the Moravinsky wind instrament Competition in St.Petersburg.

Mar 2012
Student SHEN Junlin participated the Youth Orchestral Music Competition in Vladivostok, Russia and secured a place to the Finals as the youngest contestant.

Jul, 2012
High school student GUO Xiang was awarded the Third Prize in the 4th Lieksa International Trumpet Competition as the youngest contestant and achieved the record of Central Conservatory of Music Middle School in the awards in trumpet performance.

Dec, 2012
I was chosen as the candidate for the elite teaching scheme “BEST OF BEST”(BOB) in Central Conservatory of Music Middle School and awarded the HUANG Yuanli Teaching Bonus.

2013
Two high school graduates have been admitted by the Orchestral Instruments Department, Central Conservatory of Music and another student GUO Xiang has his admission to the Sibelius Academy of the University of the Arts Helsinki.

2014
Two students were awarded for brass-instrument performance in the Youth Orchestral Music Competition in Vladivostok,Russia.

2016
Student WANG Tianyu was awarded the Second Prize in the Youth Orchestral Music Competition in Vladivostok, Russia.

RELATED EXPERIENCE

2004
I organized and undertook as judge in the Chorus Competition for Chinese living in Finland.

2007-Present
I act as Judge in the Academic Board of Central Conservatory of Music in Trumpet Performance Qualification.

2007-2015
I am engaged in enrollment of candidate for trumpet performance in BEIHANG University, Nankai University and Beijing University of Technology.

2012
I judged the 5th CCOM Chamber Music Festival.

2015
I judged the Qualification Trials for the International Youth Trumpet Competition in Belgium held in China.

2012-2015
I consecutively undertook the judge in the music students competition.

姓名：朱光
出生年月：1972.3 性别：男
毕业院校：中央音乐学院管弦系小号专业（本科）
芬兰西贝柳斯音乐学院小号演奏与教育专业（硕士）
现任教于：中央音乐学院管弦系
（中央音乐学院拔尖创新人才培养计划导师）
专业背景：
朱光，出生音乐世家，父亲是中华人民共和国成立后培养的第一代小号演奏家和教育家朱尧洲，母亲是中央音乐学院钢琴教授商橙宋。五岁随母亲学习钢琴，十岁随父亲学习小号。12岁考入中央音乐学院附中（小六班），先后师从朱尧洲教授、冀瑞凯、柏林教授，深得老一辈小号教育家夏之秋先生的关心和赞赏。1988年被来院讲学的匈牙利小号专家称为少年天才，并希望收其赴匈牙利求学。1989年“布拉格之春音乐节”通过国内选拔赛获参赛资格。1991年附中毕业，获选参演优秀毕业生音乐会，并考入中央音乐学院管弦系。在校期间曾先后随中国少年交响乐团、中国青年交响乐团访问瑞士、意大利、印尼、香港等国家和地区。
1995年于中央音乐学院学士学位毕业，1999年赴芬兰西贝柳斯音乐学院攻读硕士。师从 Simo Rantanen”教授；芬兰著名小号演奏家“Jouko Harjanne ”；Tapiola交响乐团首席“Anti Raty”；著名瑞典小号教育家“Bo Nilson”。与西贝柳斯音乐学院交响乐团合作独奏Haydn小号协奏曲，并在Helsinki、Kuopio、Hammelinna等地成功举办独奏、重奏音乐会。
职业背景：
2000年起担任芬兰Tapiola交响乐团客座小号；
2001-2004年；留学期间成功获聘担任芬兰kuopio市交响乐团首席小号，成为欧美主流交响乐团中极少数的华人小号首席演奏家之一，期间与诸多世界著名指挥家合作，出色完成数百场的演出；
2004年至2006年兼任芬兰国家歌剧院客座小号。
2006年1月圆满结束西贝柳斯音乐学院的学习，获颁该校硕士文凭。同年回国担任中央音乐学院小号专业教师。为保持个人的专业演出状态，任教期间先后兼任过中国交响乐团、中央芭蕾舞团、北京交响乐团的客座小号；北京管乐交响乐团及中央歌剧院客座首席小号。在国内不同城市举办过个人独奏音乐会、师生音乐会，得到业界及各界音乐爱好者的赞赏和认可。与国内外著名演奏家共同举办共过独奏、重奏音乐会，在业内享有较高知名度。
2016年6月携学生郭翔二人在北京音乐厅举办小号师生独奏音乐会，获得了小号届的一致好评，这也是北京音乐厅建立三十多年来第一次举办小号独奏音乐会。本场音乐会反响强烈，被业界誉为中国小号届具有里程碑意义的一次重大事件。
近年致力于小号演奏及教育在国内的普及与推广,先后在中国大剧院、人大艺术学院及国内各大中院校举办讲座，普及和推广相关知识，帮助青少年的管乐学习和对管乐器知识的了解，加强了国内外的交流与院校间的合作与发展。
2013-2014年，被芬兰Vaasa市交响乐团聘为小号首席。作为在校教师依旧能够活跃于舞台并受到国外专业乐团的邀请出任首席，这是一份堪称盛誉的认可。
同时，为了加强芬兰与中国的音乐文化交流，从2011年开始，每年带领中国学生参加芬兰的音乐文化活动，使中国学生对芬兰的文化、历史有了更加深入的了解。同时邀请芬兰演奏家及教育家来中国讲学，为中芬交流的发展起到积极的作用。

教学成果：
2011年11月，带领学生赴圣彼得堡参加穆拉文斯基国际管乐比赛，获得专业第三名的好成绩，此为中央音乐学院建院以来小号专业首次在大型国际管乐比赛中取得名次；
2012年3月，初一学生沈俊霖在俄罗斯海参崴举办的青少年管乐比赛中，成为小号专业进入决赛的最小参赛者；
2012年7月；高二学生郭祥在芬兰第四届Lieksa国际小号比赛中，获得第三名的优异成绩，成为该赛事有史以来年龄最小的获奖者。这是中央音乐学院建院以来附中小号学生在重大国际比赛中获得的最好成绩，实现了零的突破；
2012年12月，因教学成绩显著被特聘为中央音乐学院BOB导师（拔尖创新人才培养计划BEST OF BEST）。
荣获2012中央音乐学院黄源澧优秀专业教师奖教金。
2013年，本人的两名附中毕业学生全部考入本院管弦系，其中郭翔为保送入学。同时，郭翔亦被芬兰西贝柳斯音乐学院录取为正式学生。
2014年，带领学生参加海参崴举办的青少年管乐比赛，少年组两名铜管乐器的获奖者都是朱光的学生
2016年，11岁的学生王天禹获得海参崴青少年管乐比赛17岁以下青年组第二名的优异成绩。
评审工作:
2004年，组织并评审中国旅居芬兰华人声乐比赛；
2007年起担任中央音乐学院考级委员会小号专业评委；
2007-2015年，负责北航、南开、北工大等高校特长生管乐招考评审工作；
2012年中央音乐学院第五届室内乐音乐节比赛评委；
2015年比利时国际青少年小号比赛，年中国区选拔评审委员会主席。

Tao Li

李涛，圆号演奏家、博士学位。山西省管乐学会理事、现任深圳

交响乐团圆号副首席。

出生于音乐世家的李涛自幼随父亲李斌（国家一级演奏员、圆号

演奏家）学习圆号。天资聪颖的他于1996年以圆号专业排名第一的成

绩考入中央音乐学院附中，师从陈根民教授；在校期间就担任中国少

年交响乐团圆号首席并随中国代表团参加了芬兰国际圆号年会艺术节

。

2003年考入新加坡国立音乐大学音乐学院师从韩晓光教授，并获

全额奖学金。2006年在中国圆号学会举办的比赛中获第四名。在此期

间曾多次得到柏林爱乐乐团现任圆号首席斯蒂芬.道尔和前任圆号首席

赛弗尔大师以及澳大利亚著名圆号大师塔克威尔的悉心指导。

2007年赴德国萨尔布吕肯音乐学院学习，先后师从著名德籍华人

圆号演奏家韩小明教授（萨尔布吕肯广播交响乐团圆号首席）、自然

圆号演奏家波姆斯（曼海姆歌剧院圆号首席）和科隆广播交响乐团圆

号首席路德维希.拉斯特。2009年与阿特.玛锐利斯（Art’smarillis）专

家重奏组，随著名单簧管教授爱德华.布伦纳（Eduard Brunner）攻

读室内乐演奏并获得博士学位。

他一直活跃在世界音乐的舞台上，曾担任比利时列日皇家音乐学

院交响乐团的客座首席，多次应邀赴比利时、卢森堡、意大利、荷兰

、西班牙、法国进行交流演出; 2009年李涛考入被誉为国际顶级音乐

节乐团暨“太平洋交响乐团”（PMF）; 曾多次与国内外知名交响乐

团合作，如：澳门交响乐团、新加坡国家交响乐团、北京交响乐团、

河北交响乐团、杭州爱乐乐团等。

回国后，李涛致力于圆号教育事业的发展与推广，事业上孜孜不

倦的追求。2013年，他与父亲合著的学术论文《圆号教学过程中“歌

唱意念”之探索》在中国音乐家协会主办的国家一级核心刊物“音乐

创作”上发表。

2011年至今他受聘于深圳交响乐团担任圆号副首席。期间随团出

访台湾、法国、意大利、土耳其、南非和美国等多个国家进行文化艺

术交流，其严谨、精湛的演奏技艺赢得了国内外同行的广泛赞誉。

Le Dai

Dai Le, a young promising clarinetist, currently serves for Shanghai Symphony Orchestra(SSO) as the co-principal clarinetist, also the member of “Ensemble Les Amis-Shanghai” chamber music society. Before she joined SSO, she performed as the principal clarinetist in Thailand Philharmonic Orchestra from 2013. During 2008 to 2011, she served in China Philharmonic Orchestra as a clarinetist (obligate the first clarinet, Eb clarinet and Bass clarinet). As a great clarinetist, Dai Le was regularly invited to perform with Singapore Symphony Orchestra and Macau Symphony Orchestra during 2005-2008 . In 2014, she was invited to join the Shanghai Symphony Orchestra European Tour as a guest principal clarinetist. Besides as a orchestra clarinetist, Dai Le also performed solo recitals in Singapore, Beijing, Austria and Thailand, and received highly recognition. She was invited to perform in both the 1st and 2nd CCOM international Clarinet Festival.

Dai Le entered the middle school attached to the Central Conservatory of Music in 1999. From 2003 to 2004, she took the position of principal clarinetist of the China Youth Symphony Orchestra. During 2004 to 2008, she successfully honored a full scholarship to study in Yong Siew Toh Conservatory of Music, National University of Singapore under Ma Yue, the principal clarinetist of Singapore Symphony Orchestra. In 2006, Le got a full scholarship to study at the Peabody Institute of John Hopkins University. In 2013, she was awarded as Master of Arts in Clarinet Performance with distinction (Konzertexamen mit Ausgezeichnung) at the University of Music and Performing Arts Graz under Professor Stefan Schilling, the principal clarinetist of the Bavarian Radio Symphony.

Dai Le won the first prize of the first Singapore National Clarinet Competition in 2007, and 2nd prize in chamber music division from the same competition. In the same year, her woodwind quintet won the second prize in the 9th Asian Symphony Band Competition Thailand.

In 2016 Le joined “Ensemble Les Amis-Shanghai” chamber music society, recorded Prof.Chen Xiaoyong’s contemporary ensemble compositions CD album , this album will be released in April 2017 in Germany by Collegno company.

戴乐, 上海交响乐团单簧管副首席。EnsembleLesAmis 上海友人室内乐社单簧管演奏家。

1999 年考入中央音乐学院附中，跟随陶纯孝老师学习，曾任中国少年交响乐团首席单簧管。2004 年以优异成绩进入新加坡国立大学杨秀桃音乐学院，并获全额奖学金，师从新加坡交响乐团首席单簧管演奏家马越。在校期间，作为该校第一批在美交换的全额奖学金优秀学生，被选派至美国约翰霍普金斯大学匹堡蒂音乐学院交换学习。2008 年，以优异成绩获取学士学位，并进入中国爱乐乐团，任职不定位单簧管演奏员。2011-2013 年，求学于奥地利格拉茨戏剧与表演大学，跟随德国巴伐利亚广播乐团首席单簧管演奏家 Stefan Schilling 深造。2013 年，戴乐以(Konzertexamen mit Ausgezeichnung)的出色成绩获硕士学位，同年受邀进入泰国爱乐乐团担任首席单簧管。2016 年戴乐回国任职于上海交响乐团担任单簧管副首席并加入 Ensemble Les Amis 上海友人室内乐社，同年随 ELA 录制陈晓勇教授的作品专辑，出版社为欧洲 collegno 唱片公司。

作为一名优秀的青年单簧管演奏家，戴乐在校期间已多次参与新加坡交响乐团，澳门乐团的演出，并于 2007 年获得新加坡全国单簧管比赛独奏第一名，室内乐第二名的优异成绩，同年底戴乐的木管五重奏获得泰国曼谷第九届亚洲室内乐比赛木管组银奖。在中国爱乐乐团工作期间，多次进行室内乐音乐会的演奏，并参与很多电视剧电影音乐的录制深受好评。自 2013 年中央音乐学院国际单簧管音乐节举办以来，戴乐连续两届受邀在音乐节中进行独奏表演。2014 年受邀参加上海交响乐团欧洲巡演，担任客席首席单簧管。在泰国爱乐乐团任职期间，她曾多次受邀在各校进行大师课并举办个人独奏音乐会。戴乐以丰富和极具表现力的音色、精湛的技巧以及对作品的细腻演绎，获得业内很高的评价。

Ke Ju Wang

西安音乐学院小提琴与中提琴教研室主任

中提琴演奏家；耶鲁大学、波士顿大学访问学者；“西安四重奏”联合创办人；2009年执教于西安音乐学院；曾任艺术处处长助理；曾多次荣任各类中提琴比赛、国际弦乐比赛、音乐节评委，并多次在国内外举办中提琴大师班；26岁前囊括的国际奖项包括：第14届意大利“埃尔德普”国际音乐比赛、2009年美国纽约国际青年艺术家大赛（YCA），美国第11届 William Primrose和英国第9届 Lionel Tertis国际中提琴比赛等；所教授部分学生以优异成绩考入美国、英国、法国、德国、新加坡等国家知名音乐院校；2016年，第15届意大利威尼斯国际建筑双年展，作为唯一一位音乐指导和中提琴独奏为中国建筑馆宣传片录制音乐。

Jian Wei Weng

翁建伟教授简介
翁建伟，中央音乐学院教授。
1990年以优异成绩毕业于中央音乐学院作曲系，留校任教。
从事视唱练耳教学近30年，现为学院基础理论领域资深教授及学术权威之一。
2000年被学院授予副教授职称；
2012年被学院授予教授职称（国家级）。
他还是中央音乐学院考级委员会资深评委；学院海外考级音基部分总评判（也是学院海外
音基考级的策划者和创始人之一）。
其著有：《音乐基础知识训练教程》；《实用基础乐理》；《立体视唱练耳教程》（一
、二卷）；
还在国内核心刊物发表过若干论文。

Yao Guang Zhai

Global and Mail considered him “… delivered the most beautiful lyrical playing of the evening.” and the Toronto Star described his performances as “…played with mesmerizing grace.”Yao Guang Zhai is currently the Principal Clarine of the Baltimore Symphony Orchestra which appointed by Maestra Marin Alsop in 2016, since then he became the first Chinese-born clarinetist to hold such a position in a major North American symphony orchestra. Yao Guang Zhai was previously Associate Principal clarinet of the Toronto Symphony Orchestra appointed by Maestro Peter Oundjian for 5 years. In 2015 he has also won the audition for Associate Principal at the Pittsburgh Symphony Orchestra.

A native of Tai Yuan, China, Yao began his musical pursuit at the age of three on violin, switched to clarinet seven years later. He studied at the China Central Conservatory, the Idyllwild Arts Academy in Idyllwild California, and then was admitted with a full scholarship to the prestigious Curtis Institute of Music in Philadelphia, as the only clarinetist that year, and the first Chinese clarinet student of the school. Yao was instructed by many distinguished clarinetists, including Yehuda Gilad, Donald Montanaro, Ricardo Morales and Joaquin Valdepeñas. In 2009, he represented Curtis Institute of Music to tour in the U.S. as the solo and chamber clarinetist, the solo performance was also awarded the Curtis Institute CD of the Year. During his study, Yao has won the Hellam Competition, Aspen Music Festival Concerto Competition, the Blount-Slawson Young Artists Competition, the Spotlight Award and the Pacific Symphony Concerto Competition. After graduation, he held the position as Principal Clarinet at Shanghai Symphony Orchestra in China for two seasons.

Along with his solo appearances with the Baltimore Symphony Orchestra, Toronto Symphony Orchestra, Yao has performed with the Shanghai Symphony Orchestra (China), Toronto Summer Music Festival Orchestra, Pacific Symphony Orchestra, the Montgomery Symphony Orchestra, the American Academy of Conducting Orchestra (Aspen) and the Springfield Symphony Orchestra. He is featured to play the Copland Clarinet Concerto with the Victoria Symphony in Canada in 2017. He has actively participated in various music festivals as both soloists and chamber musician; such as: Hong Kong International Chamber Music Festival invited by violinist Cho-Liang Lin; Music From Angel Fire Festival invited by violinist Ida Kavafian; Laguna Beach Chamber Music Festival invited by pianist Christopher O’Riley; Aspen Music Festival; Pacific Music Festival in Japan; Beijing International Clarinet Festival; Toronto Summer Music Festival; and Chongqing International Clarinet Festival in China.

He was also one of the clarinetists chosen to record the Royal Conservatory of Music's exam level commercial CD, which has been sold across North America. He played the principal clarinet during the live recording of Messiah with the Toronto Symphony Orchestra and conductor Sir Andrew Davis in year-end 2015 released by Chandos Records.

Yao Guang Zhai is the clarinet faculty at 2017 National Youth Orchestra of China, the Curtis Institute of Music Summer Festival and the Master players Music Festival.

Yao Guang Zhai is a Buffet Crampon Performing Artist.

美国巴尔的摩交响乐团单簧管终身首席翟耀光，是世界知名乐团中为数不多的华人管乐演奏家。

出生于中国山西太原，三岁学习小提琴, 十岁改学单簧管。启蒙老师为山西省交响乐团田稔老师。之后师从中央音乐学院袁源教授。十二岁考入中央音乐学院附中，跟随黄远涪教授学习。在北京期间受益于章镛凯先生的艺术指导以及出国留学资助，2003年以全额奖学金进入美国爱德华艺术学院，跟随单簧管教授 Yehuda Gilad 学习，之后又以唯一的全额奖学金身份考入世界最高音乐学府之一的美国柯蒂斯音乐学院，跟随费城交响乐团单簧管前任副首席Donald Montanaro以及现任首席Ricard Morales学习，并且也是第一位考入该校学习的中国单簧管学生。
在学习期间他已经获得了许多高水平的音乐比赛奖项。如：布郎特—斯劳松青年艺术家大赛第一名；贺立姆音乐大赛第一名；阿斯本音乐节管乐比赛第一名；聚光灯青年艺术家比赛第一名；太平洋交响乐团协奏曲比赛第二名等等。并且在2009年代表柯蒂斯音乐学院在美国进行了为期一个月的独奏室内乐的巡演，现场的实况录音还被收入了该校年度最佳的CD。
2009年，翟耀光受中国指挥家余隆邀请担任上海交响乐团单簧管首席，开始了职业演奏家生涯。2011年，他通过全球招聘，获得加拿大多伦多交响乐团单簧管副首席职位。2015年底考取美国匹兹堡交响乐团单簧管副首席。2016年又赢得美国巴尔的摩交响乐团的单簧管首席职位，并于一年后成为该乐团终身演奏家。自此成为第一位在北美知名乐团中担任首席的中国单簧管演奏家。

在每年数百场的音乐季演出之外，翟耀光频繁参加当地以及国际的室内乐和独奏的演出。除了世界著名的阿斯本音乐节、日本太平洋音乐节的之外，他曾分别受小提琴家Ida kavafian的邀请在美国的Music from Angel Fire室内乐音乐节，钢琴家Christopher O'Riley的邀请在拉故纳音乐节，以及华裔小提琴家林昭亮的邀请在香港国际室内音乐节，作独奏和室内乐的演出。与其合作演出过协奏曲的知名音乐团体除了巴尔的摩交响乐团，多伦多交响乐团，还有美国的太平洋交响乐团、加拿大维多利亚交响乐团，美国斯普林菲尔德交响乐团、蒙哥马利交响乐团、美国阿斯本音乐节交响乐团，中国上海交响乐团等。作为每年多伦多夏季音乐节（Toronto Summer Music Festival）的常任单簧管演奏家，他还受邀在2015年的10周年开幕音乐会与其室内乐团演奏《科普兰单簧管协奏曲》。

翟耀光作为单簧管首席与多伦多交响乐团和指挥家Sir Andrew Davis 录制的CD专辑《 Messiah》将于2017在Chandos Records 公司出版发行。

翟耀光非常热心于对青少年的音乐教育和普及活动。2013年，他接受多伦多皇家音乐学院邀请，与许多世界知名音乐家录制了标准极高的考试教学示范录音。他还是2017年中华青少年交响乐团NYO－China 、多伦多夏季音乐节、费城柯蒂斯音乐学院夏季音乐节、以及美国名家音乐节单簧管导师。

翟耀光是法国布菲乐器签约表演艺术家。

Si Yao Zhou

所获荣誉：
1995年获株洲市“宏都杯”青少年民族音乐大赛儿童组蓓蕾奖；
1996年获湖南省首届少儿琵琶独奏比赛三等奖；
1997年获武汉音乐学院附属音乐小学二等奖学金；
1997年获武汉音乐学院附属音乐小学三等高额奖学金；
2001年获湖南省第二届琵琶演奏比赛少年A组金奖；
获“2001年中国琵琶大赛”湖南地区选拔赛琵琶演奏金奖；
2001年获“澳美通”杯中国琵琶大赛总决赛业余组优秀奖；
2003-2004年获中央音乐学院附属中学三等奖学金；
2012年获辽源琵琶演奏国际大赛专业青年A组优秀演奏奖；
2013年获首届中韩日国际琵琶大赛总决赛专业A青年3组一等奖；
2013.07获国际第三届中国器乐赛专业琵琶青年组银奖。
实践经历：
2002年参加在香港红勘体育馆举行的“庆祝香港回归五周年”大型庆典活动演出；
2007年参加国家大剧院开幕式演出活动；
2009年参加中央音乐学院管乐音乐周演出活动；
2011年参加录制中央美术学院学生毕业作品《琵琶雨》，并获得优秀奖项；
2013年担任北京市河北梆子剧团大型历史剧《定都》演出首席琵琶；
2013年参加北京东方大学史蒂夫.欧伦斯名誉教授特聘仪式民族器乐表演演出。
2015年2月作为中国演奏家艺术团成员出访美国，与芝加哥交响乐团合作“欢庆中国年”大型
演出活动。
姓名：周斯瑶
出生年月：1987-11- 15
籍贯：湖南
政治面貌：共青团员
专业：琵琶
学历：研究生
毕业院校：中央音乐学院
学习经历：
2011年-2014年就读于中央音乐学院研究生部
2007年-2011年就读于中央音乐学院本科
2001年-2007年就读于中央音乐学院附中
1998年-2000年就读于武汉音乐学院附属小学

Li Yuan Liu

Violist Liyuan Liu is currently on the faculty of the Zhejiang Conservatory of Music. She also holds the guest principal viola chair of Shanghai Philharmonic Orchestra. A graduate of The Juilliard School with a Bachelor and Master’s degree in performance, Liu was the winner of the NYSC International Young Artist Concerto Competition and the China Viola Competition. Now a Morse Fellowship scholar at Columbia University, she’s obtaining her doctoral degree in Higher Music Education. Liu is also on the guest faculty of the Karwendel International Music Festival in Germany, and the Easton String Festival in China. 2017, the New York Concert Review introduces Liu as "An excellent violist".
Ms. Liu's viola teachers include Wang Shaowu，Wing Ho，Heidi Castleman，Michael Tree,Steven Tenenbom and Hsin-yun Huang.
The following year she performed the Rola Concerto with the New York Concerto Sinfonietta at Carnegie Hall, a performance raved by renowned New York music critic Michel Sherwin as “a prodigiously gifted and sensational performer possessing a jaw-dropping technique and a divine tone.”
As a chamber musician she has appeared with the Lincoln Center Chamber Music Society at the invitation of Ida Kavafian.
The highlight of Liu's concerts in 2017 includes the word premier performance of Tianpeng Gong's viola concerto " The Catcher in the Rye" with Shanghai Philharmonic orchestra on May 6th.

刘瓅元，旅美青年中提琴演奏家，浙江音乐学院教师，上海爱乐乐团客席中提琴首席。美国茱莉亚音乐学院学士及硕士学位，美国哥伦比亚大学高等音乐教育博士，并荣获Morse学者称号。曾获美国纽约国际青年演奏家协奏曲比赛冠军及中国中提琴比赛第三名。德国阿尔卑斯音乐节、伊斯顿弦乐夏令营特邀教师。2017年《纽约音乐会评论》称她为杰出的中提琴演奏家。
先后师从王绍武、何荣、Heidi Castleman、Michael Tree、Steven Tenenbom、和Hsin-yun Huang。她在世界著名的音乐殿堂卡内基音乐厅与纽约协奏交响乐团合作了罗拉中提琴协奏曲，获得了纽约知名乐评人Michel Sherwin的高度评价，被誉为“天赋极高的，杰出的中提琴演奏家，拥有令他人绝望的技巧和如天鹅绒般光滑的音色。”
作为一名活跃的重奏演奏家，曾受著名小提琴演奏家和教育家Ida Kavafian的邀请，参加纽约林肯室内乐协会的重奏演出。
2017年5月6日她受邀与上海爱乐乐团合作世界首演龚天鹏的中提琴协奏曲《麦田里的守望者》

Xiao Yu Yang

Xiao-yu Yang, Chinese young violinist.
He is now the concertmaster of China National Center for the Performing
Arts Orchestra(NCPAO), one of the youngest concertmasters in the
professional orchestras in China.
Xiao-yu Yang was born in Ha’erbin, China in 1986. He was admitted into
the Middle School Affiliated to China Central Conservatory of Music in
1999, where he studied for eight years under Professor Yao-ji Lin, a
famous violin professor in China. In 2002, he won the top-prize of
International Tchaikovsky Competition for Young Violinists at the age of
16. Since then, he has achieved success in many important violin
competitions, such as International Schubert Competition, Johannes
Brahms International Competition, China International Violin
Competition, Queen Elisabeth International Music Competition, “George
Enescu” International Competition for Violin, Prague Spring International
Music Competition and the Sendai International Music Competition.
Xiao-yu Yang has been on the stage since 1999 when he was 12 years
old. He has performed as solo violinist and held solo concerts around
China as well as in many important international music festivals, for
instance, Salzburg Festival, Asian Orchestra Festival (Japan), George
Enescu Music Festival and Prague Spring International Music Festival.
He has performed in the U.S.A., France, Switzerland, Austria, South
Korea, Singapore, Japan, Belgium and Romania and received attention
and high remarks from professionals. He has studied in Europe since
2003, namely in Musik Hochshule Wien, Hochschule Musik und Theater
Zürich and Mozateum Salzburg. He was graduated from Mozateum
Salzburg in 2008 at the age of 22. During those years he has studied
under Dora Schwarzberg, Zakhar Bron and Igor Ozim.
杨晓宇，中国著名小提琴演奏家.国家大剧院管弦乐团
乐团首席.中国音乐家协会室内乐分会理事.是极其难得的兼
并独奏、乐团和重奏的全面类型的演奏家.
杨晓宇出生在中国哈尔滨的一个艺术之家。他的母亲
是一位小提琴演奏家兼教育家，父亲则是一位长笛演奏家
。在父母的影响下，他4岁起第一次接触钢琴，5岁则跟随
母亲正式的学习了小提琴。11岁时考入央音乐学院附中。
跟随中国小提琴教育泰斗林耀基教授学习了８年之久，得
到其真传及精髓。16岁那年荣获了第四届柴可夫斯基国际
青少年音乐比赛冠军。此后相继参加了勃拉姆斯；中国国
际；女皇伊丽莎白；爱奈斯库;布拉格之春；仙台等重大国
际小提琴比赛，均荣获佳绩。为祖国争得了荣誉。
自13岁起，杨晓宇开始了他的职业演奏生涯。相继
在国内外各地、国际重大的音乐节上担当小提琴独奏和举
办个人音乐会。如萨尔茨堡艺术节；日本亚洲交响乐团音
乐节；乔治爱奈斯库艺术节和的布拉格之春国际音乐节等
。他的琴声先后遍及美国、法国、瑞士、奥地利各地、韩
国、新加坡、日本各地、比利时、罗马尼亚等。此外，他
跟国内几乎所有的主流交响乐团都曾有过合作。均受到高
度评价和关注。如今他以每年几十场独奏音乐会和与国内
外交响乐团；六十几场作为乐团首席或客座首席；十场左
右室内乐音乐会与不同的器乐大师（如吉他演奏家杨雪菲
、小提琴家吕思青和大提琴家朱一兵等）以不同的演奏身
份继续高度活跃在舞台上。
小提琴演奏家温格洛夫听到他的演奏后曾评论
：“可能甚至超过了我的小时候 ”。而另一位20世纪小
提琴演奏大师里奇听过他的演奏则评论：“技术全面，音乐
极其富有感染力“.
他大学期间曾就读于维也纳国立音乐学院、苏黎世戏剧
与高等音乐学院和萨尔茨堡莫扎特音乐学院。曾于扎克布
朗、一格欧齐姆和多拉施瓦贝格等名师学习过。

Yun Zeng

曾韵1999年12月出生于成都一个音乐世家，6岁随父亲曾杰学习圆号。2011年以优异的成绩考入中央音乐学院附中师从于温泉教授。2012年入选“拔尖创新人才培养计划”及“BOB”计划，同年还参加了第一届北京青年艺术节开幕式的演出，受到了广泛的好评，称他是近年来难得一遇的圆号天才。在校期间还获得过中央音乐学院《中国宋庆龄基金会——古驰音乐基金》奖学金、中央音乐学院谭小薇奖学金。2014年入选“漫步者音乐家基金”资助和天津博瑞泽乐器有限公司的乐器赞助。2017年以第一名的成绩考入中央音乐学院，继续跟随温泉教授深造圆号。
从2012年至今，他多次参加国际国内的重大比赛并获奖，获奖信息如下：
■ 2012年4月在俄罗斯海参崴获得第七届青年音乐演奏家国际比赛圆号专业16岁以下组第二名。
■ 2013年7月获得中央音乐学院第十一届管乐室内乐铜管独奏比赛（45岁以下）圆号专业第一名。
2013年8月在韩国获得第八届济州国际铜管比赛（30岁以下）圆号专业第二名，他是中央音乐学院的学生在该比赛中的首次获奖，也是该比赛有史以来获奖年龄最小的选手，并同时获得文化部的嘉奖。
■ 2014年在俄罗斯圣彼得堡获得第九届穆拉文斯基国际青少年器乐比赛铜管组第三名（不分专业，21岁以下），同时还邀请他参加2015年圣彼得堡欧洲音乐会的演出。
■ 2015年7月获得第十三届中央音乐学院管乐室内乐重奏比赛圆号四重奏第二名（第一名空缺）。
2015年8月在美国获得第23届美国国际圆号比赛职业组第二名（无年龄限制），也成为该比赛有史以来第一个中国人获奖。
■ 2016年7月在芬兰获得第四届列克萨国际圆号比赛第一名。
2016年8月在“2016津宝第二届国际音乐节暨第二届中国圆号艺术节”的比赛中获得职业组金奖。

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